Raven Banner And Sinister Cinema To Showcase TURBO KID In Canada Next Month!

RKSS's award-winning forthcoming post-apocalyptic fantasy fare, Turbo Kid, has seen quite the electric journey from its inception as a shortfilm entry to a fully-fledged and dazzling epic. The reviews are in and the fallout is nothing short of upworthy, and with the film releasing soon in select territories to expand after next month, I'm fairly certain at this point that audiences won't be disappointed.

I haven't been able to screen it myself, but I'm sure enough of the tone among folks who have, and suffice it to say I can't wait to get my butt into a theater seat for this one thanks to North American distributor Epic Pictures Group. Simultaneously, Canadian distributor Raven Banner Releasing is granting a nationwide release throughout Canada on August 27 and 28 in select Cineplex outlets as part of Sinister Cinema's monthly series. This ought to be interesting to attend there, aye?

Anyway, I allege more info can be found here. Otherwise, the details are below!

RAVEN BANNER RELEASING Presents

A SINISTER CINEMA PRESENTATION

FROM QUEBEC’S “ROADKILL SUPERSTAR” FILM TRIO
A FUN AND BLOODY POST-APOCALYPTIC HOMAGE

TURBO KID
WRITTEN AND DIRECTED BY FRANÇOIS SIMARD, ANOUK WHISSELL, YOANN-KARL WHISSELL

RIDES INTO CANADIAN THEATRES:

AUGUST 27
CINEPLEX THEATRES – ONE NIGHT ONLY
TORONTO, VANCOUVER, OTTAWA, HAMILTON, EDMONTON, CALGARY, WINNIPEG, HALIFAX

AUGUST 28
TORONTO – CINEPLEX YONGE & DUNDAS and CARLTON CINEMAS (week runs)
OTTAWA – MAYFAIR THEATRE (limited engagement)
WATERLOO - PRINCESS THEATRE (limited engagement)
EDMONTON – METRO THEATRE (limited engagement)
VANCOUVER – RIO THEATRE (limited engagement)
KITCHENER – APOLLO THEATRE (limited engagement)
HALIFAX – CINEPLEX PARK LANE (week run)

AUGUST 28 AVAILABLE ON VOD – BELL, iTUNES, ROGERS, SHAW, VIMEO

“A pitch-perfect pastiche that never mock its inspirations"- The Hollywood Reporter
"Feels like no other film in the last decade"- Slash Film
"A cult classic in the waiting" – Twitch Film
"Perhaps the most colorful film ever made with a post apocalyptic setting... a loud, energetic homage to Eighties kitsch” – Film Comment

(Toronto – July 22, 2015) Imagine a Mad Max-ish world where the gas shortage has gone on just a little longer – and hard-pedaling death races take place on BMX bikes. It’s the low-tech post-apocalyptic milieu of Turbo Kid.

Set on a degraded Earth in a fictional 1997, Turbo Kid is a cartoonishly-bloody tongue-in-cheek nod to the last-humans-on-Earth genre that has delighted horror and genre fans at festivals from SXSW to Sundance.

Turbo Kid will play as part of Raven Banner’s much-acclaimed Sinister Cinema series, taking over select Cineplex locations nationwide for a one-night only screening of this instant cult favourite on August 27. The next day, August 28, the film will open for one-week runs in Toronto and Halifax, and will also have limited engagements in Ottawa, Waterloo, Edmonton, Vancouver and Kitchener.

The film will also be available on VOD platforms including Bell, iTunes, Rogers, Shaw, and Vimeo on August 28

It’s a triumphant first feature for Francois Simard, Anouk Whissell, and Yoann-Karl Whissel, the Montreal filmmaking collective known as RKSS (Roadkill Superstar). The family-act (Yoann-Karl and Anouk are siblings, Anouk and Francois are married) had been making cutting-edge film shorts for a decade before their quickie adventure T Is For Turbo created a splash at the ABCs Of Death anthology contest. Pushed by the event’s producers, the Canadian/New Zealand co-production Turbo Kid was born.

Stars Munro Chambers (Degrassi: The Next Generation) as The Kid, an orphaned collector of memorabilia who roams the wasteland in search of touchstones from a past he doesn’t remember (and whose dreamworld revolves around battered comic books starring a hero named Turbo Man).
His grim routine is interrupted, however, by an oddly-childlike young woman named Apple (Laurence Lebeouf), who cheerfully but clingingly insists on being his friend. The two soon find themselves embroiled in a war-of-vengeance between a cowboy named Frederic (Aaron Jeffery) and the villain-of-villains Zeus (Michael Ironside). Add the discovery of a lost piece of super-hero technology, and you’ve got the makings of a lo-fi action mini-masterpiece.

“Turbo Kid is kind of inspired by movies we grew up on,” says Yoann-Karl. “There are elements of The Goonies and (the 1983 crime/action film) BMW Bandits.”

“We were obsessed by BMX Bandits,” says Anouk.

“And there’s Road Warriors, of course,” Francois says, “and Italian rip-offs like The New Barbarians and The Bronx Warriors.”

“It’s not like we were laughing at those movies. We really wanted to honour them,” Yoann-Karl says. “We see this as a love letter and an homage.”

Matthew Bennett And Sasha Moric Discuss New Webseries, THE TERMINAL

It'll be a few months before we hear anything more on the long-awaited release of Canadian film duo, Matthew Bennett and Sasha Moric's indie action thriller, Concrete: Gangs Of Union City which will soon land in the U.S., the Middle East and throughout Asia. In the meantime, the two are pairing once more for another project they've been processing for quite a while in the form of the new webseries, The Terminal, starring actor and martial artist, Jonny Caines with Bennett directing and Moric handling cinematography.

I got to chat for a bit with with Bennett and Moric earlier this week learned a little bit about their own fascinations in film and what got them started on the project. With the latter, as it turns out, all it took was a RED camera, a little bit of creativity, and two very talented, physically able actors, and some very "brave" networking.

Bennett spoke on his own behalf regarding the series in its conception, with Moric lending his own personal insight on his career and how it led to collaborating with his newfound partner.

Bennett: Sasha is a genius with finding locations, so he found this amazing abandoned warehouse to shoot in, while I wrote down a vague story about two groups fighting over control of a secret computer system. We put out an advert on Craigslist for actors and actresses, they just came to the shoot, that day, completely sight unseen. They were very brave actually, we could have been anyone.

Then we all broke into the warehouse, dragged a generator inside, and shot for a few hours.  We had a prop airsoft Glock 22, but some skateboarding kids stole it and took off. So basically, it was all about improvising the core of the idea on that first day -  Sasha and I had to wing most of our way through it up on the spot.

Then we did another shoot day similar to that and met Jonny Caines and Craig Henry for the very first time, and they created an action sequence for us. It was a day that felt very fateful as we all bonded very well together, and we’ve been doing projects together ever since! After that I took the material home, cut it, added the VFX as well as voice-over work for exposition, basically in an attempt to construct a firm story out of it. And again, this was all on the fly, and nothing was really planned. This was before we sat on it for seven years while being busy with other things, and thankfully it was Jonny who rose like a Phoenix and really got things rolling, eventually getting award-winning producer Marc-Andre Miron to help pitch for IPF Funding, as well as the executive producer of Lost Girl, Plato Fountidakis.

Moric: Over the past few years I have relenquished my director's hat seeing as my passion nowadays has been cinematography. I have had the pleasure of working on some cool projects like last year's TIFF selection, The Editor, as well as shooting a feature last year called The Performance which is still in post. It was my first opportunity to work with some amazing actors, including Oscar-nominated Graham Greene from Dances With Wolves, lead actor Nick Mancuso who is an amazing talent and equally-talented UK actress Sienna Guillory, and Nick Campbell, also truly amazing actor. That film changed the course of my career, and I have been fortunate in securing an agent in L.A. and I have hopes to get into the Local 667 this year as a DP.

With The Terminal, we have a really stellar team. I love sci-fi and action, and I have high hopes for this series. One thing I will certainly add is that anytime Matt and I have the opportunity to work together, there is magic that develops and I always look forward to the end result. We have quite an unorthodox system where we usually go out and shoot something; On set, I have tons of freedom to explore and gather footage before Matt goes back to his secret lair of solitude like the mad scientist he is to do what he does best. After all said done, he gives birth to some truly magical films.  It’s a system that works for us, and I always get excited in seeing what he comes up with.

I couldn't discuss much about the series since it is still in a development and funding phase. However, on top of their previous testimonies, Bennett and Moric also shared a little bit about what their inspirations were behind the series in its technological setting.

Bennett: Idea wise, a big influence was the general history of invention and innovation. Quite often, the most important inventions or discoveries are actually byproducts or unwanted side effects of trying to invent something else. In The Terminal - the AI’s consciousness is a side effect of trying to develop a new telecommunication system.

Style-wise, the four biggest influences on this project are The Terminator (1984) for its handling of exposition, and dialogue between action scenes, Alien (1979) and Blade Runner (1982) for their production design and treatment of visual themes.  Those films are incredible examples of designing around central themes, but making it work almost subconsciously at times. And the fourth would be Speed (1994), because it’s the ultimate example of narrative momentum. Plus, it’s just damn fun to watch too.

For The Terminal our ambition is to make it the most action-packed, edge of your seat online series of all time, all while still filling it with a huge amount of backstory and detail. In a way, this series is sort of the reverse of The Terminator and/or The Matrix, in that it features an A.I. that has to join with human minds to protect it’s own existence. Maybe that was a bit spoiler-ish to say on my part, but I'll let your readers decide.

My own favourite shows are actually just drama and crime shows, Breaking Bad, True Detective and The Fall were my recent favourites. 

Moric: I agree with Matt wholeheartedly on his references. He really hit the nail on the head. Also, we want viewers to know that in no way do we want to try and imitate the application of these aesthetics. My goal, and I think Matt would agree, is to create a world and a style that has not been done before. But one thing is true, though: The character arcs and human stories of great dramas like Breaking Bad and House Of Cards are something we want to have in our series.  If we can successfully combine great action with amazing characters set in a future world I feel we will have a true winner.

Bennett and Moric are currently undergoing a campaign to help finance the series through Canada's Independent Production Fund program, wherein they may hopefully move forward on the second phase of the process if they can get enough views. I initially shared the trailer three weeks ago, so if you missed it, watch it below or click here to view the trailer with a detailed synopsis.

Ryan Barrett Goes Unhinged In The Violent New Teaser For THE DEMOLISHER!

Forget Kick-Ass...Actor Ryan Barrett is done taking your shit in Canadian director Gabriel Carrer's newest indie crime thriller, The Demolisher. The film already has a few stills floating around online as of last year but we finally have a trailer going viral, and its filled good and plenty with all the darkness and realism you'd like in a vigilante thriller of this kind.

SYNOPSIS:

Bruce (Ryan Barrett) is an ordinary repairman tormented by a crippling sense of responsibility for his disabled wife Samantha, an ex-policewoman (Tianna Nori), the survivor of a gang-related assault. Bruce’s increasing hyper-sensitivity to the injustice suffered by his wife steer him down a dark path of vigilantism, and with his rapidly disintegrating mental health, paranoia and overwhelming sense of doom, Bruce channels his inner rage towards a young woman Marie (Jessica Vano) and finds refuge in a world of extreme violence. Both a character study and a psychological examination of trauma, The Demolisher is an unapologetic portrayal of what can happen when a fragile mind is pushed too far.

The new teaser trailer is now viewable below definitely aims at a deeper level of perception that will have us all looking inward at ourselves with questions galore. Atta boy Gabriel...Atta boy!

Take a looksy!

H/T: Twitchfilm